The Playwright David Henry Hwang states that much of the play-writing process is staged reading, which enables the playwright to get a first-hand account and response of the audience before the final play is penned.
In most of his plays, Hwang used the opportunity to challenge the multiple misguided conceptions about ethnic identity and stereotypes, describing identity as fluid.
Thus, Hwang states that much of the play-writing process always involved staged reading while he listens in the background.
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