Which of the following is the first phase of the choreographic process being described by Bill T. Jones in the performance excerpt?
a. speaking while performing the material,
b. allowing what you say to affect what you do (and vice versa) performing the phrase with only movement,
c. without speaking doing the phrase while describing it verbally,
d. as though teaching a dance class while performing the material,
e. whatever you're thinking or feeling, you say out loud